Online Reflection #1
The
first few weeks of the school year in the classroom, I have observed my CT’s efforts
to engage her students in the subject matter of Language Arts. The preferred
methods appear to be having the students read along silently with an audio file
or teacher read aloud, followed by pair shared reading in order to find textual
evidence answer a related question. The class has tackled a few unmemorable short
stories by this method. Finding textual evidence to support their claims seems
as draining and foreign to them. Like a
dentist with no anesthesia in a cage full of cavity stricken gorillas, the CT
struggles to pull answers from her students. They resist and avoid what needs
to be done. They just are not acting engaged. This is alarming because I am
pre-planning lessons to teach to this same group of un-enthralled students. I
want to find a way to engage them in a text.
I feel that a high
quality method of helping students to establish a comfort level with a text is
to facilitate their production of a written work. We learn best by doing, or so
I have been taught. I also recall the notion of writing students are thinking
students. My lesson may need to include this facet of literacy training. In the
past I have read about a method of fable writing in Beat Not the Poor Desk by Marie Ponsot. Ponsot described a palpable
enthusiasm that begins to develop among the students half way through the
lesson. The simplicity of the writing task and the personal philosophy that gets
to be stated as the “moral” of the story grant young writers a chance to
develop confidence and familiarity with the mysterious medium of words. To
complement the fable writing lesson with which I will challenge these students,
I wish also to include a graphic organizer for them to analyze either their own
work and/or that of a peer. The graphic organizer will call for students to
critically examine their fables and perhaps their future writings will be
better for the experience.
Last year, I observed a
CT who had an arsenal of graphic organizers with which his students displayed
comfort and familiarity. Such organizers could be used regardless of the
textual information’s format (letters, stories, newspaper articles, or textbook
pages) and they were an easy way to chunk information for later study. The
organizational nature of current graphic organizers amazes me with its
practicality and user-friendliness for study or reference. When properly completed,
the graphic organizers with which I am growing familiar as an educator can
provide excellent study prompts, detail reference, and when they are stored in
a binder or notebook, they help explain to students the scaffolding of
information that they have been taught. Fisher and Frey claim that graphic
organizers aid in “extending student understanding of concepts and the
relationship between them” (p.101). The possession of worthy, self-made
study/reference material should increase a student’s comfort level with the
information as well as their confidence and motivation to show mastery of the
material.
Fisher,
D. & Frey, N. (2012). Improving adolescent literacy: Content area
strategies at work (3rd ed.). Boston:
Pearson.
Ponsot,
Marie, and Rosemary Deen. Beat not the poor desk: writing: what to teach, how
to teach it, and why. Montclair, NJ: Boynton/Cook Publishers, 1982. Print.
Word up, Erich. I really like the idea of pre-prepared varieties of graphic organizers and loose fit lesson plans that can be applied to anything. I need to build me up a tower of them. The trick with these one-size-fits-all lesson plans is to have enough of them you don't have to re-use them more than once or twice a year, and they end up as really moldable lesson templates, as opposed to The Lazy Teacher Express Train.
ReplyDeleteI like this sort of elasticity because it allows the finer details of lesson plans to be developed in the moment. I know you were mostly talking about graphic organizers, but I think a multitude of graphic organizers could be rooted in a multitude of elastic lessons. Get at me with those graphic organizers!
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ReplyDeleteErich, when you said, “Like a dentist with no anesthesia in a cage full of cavity stricken gorillas,” I was sure that another short film with little dialogue was well into post production.
ReplyDeleteEngaging students in the text or assignment has long been a concern of mine as well. My own feeling and intuition seems to favor lesson designs that give students a choice in how to proceed. When teachers are burdened down with many classes and a lot of grading to complete, year after year, it seems like one method of proving content mastery is the norm.
My own preference for creating engagement with a story is to use anticipatory activities to first get the student interested in what might happen in the story. I select passages, or provide a few plot details and then allow the student to use their mind’s eye to consider what will take place. Granted, at the middle school level, this type of activity may have to be confined to a simpler version.
I would personally be concerned about the CT selecting texts that seem forgettable. Is she one that sticks just to readings primarily out of the text book? Hopefully for your lessons you will be able to select texts/subjects that are relevant and engaging (not forgettable).
Graphic organizer is always a term that sends shudders down my spine. I need to get in the habit of creating them away from the computer. Most of my graphic organizers are all computer generated; they lack the soul of ones actually created by hand. This semester I will attempt to give them some more soul (or I might play the theme music from Shaft while I design them in Photoshop). On a more serious note, you mentioned scaffolding in relation to the organizers. I absolutely agree/like the idea of activating prior knowledge through the organizer. The plethora of graphic organizer files is something we all have in our future.
Also, if you decide to go ahead with the gorilla film, I want a cameo (preferably not as the dentist). Good thoughtful post.